Posted by Elena del Valle on November 1, 2017
A scene from El Mercado de la Inocencia
Photo, video: Discovery en Español
At 10 p.m. E/P this Sunday November 5 Discovery en Español will air for the first time El Mercado de la Inocencia, a one hour Spanish language documentary (44 minutes of documentary) about sex tourism in Medellin, Colombia, as part of the Discovery a Fondo investigative programming block. The program, often featuring dark scenes filmed with what appear to be hidden cameras, focuses on the former drug trafficking and extreme violence destination now an international capital of sex tourism, including the sale of underage sex. Scroll down to watch a video clip in Spanish.
According to promotional materials, many of the illegal networks run by foreigners in the United States and Europe offer Medellin guided tours with underage prostitutes in their packages available for online purchase. Narrated and directed by David Beriain, a journalist and researcher known for his work on Clandestino's, the project was headed by Michela Giorelli, Rafael Rodriguez and Carlos Cediel. The program was produced by 93 metros, an independent Spaniard production company, earlier this year and required six months to produce. A Discovery en Español spokesperson declined to share any information on production costs.
"No, we did another documentary about sex tourism in Cartagena a few years ago," said Michela Giorelli, vice president, Production and Development Discovery Latam/USH, when asked by email via a publicist if this is the first time the network airs a documentary about sex tourism. "We have also explored the subject with ‘’Trata de mujeres: de Tenancingo a Nueva York’’, an Emmy Award winning documentary about sex trafficking that aired as part of Discovery a Fondo, the networks’s investigative programming block." When asked if anyone in the film was compensated financially to participate (be video or audio taped or interviewed), she replied, "No, nobody is ever compensated in our investigative documentaries."
According to the documentary, 24,000 people a day seek sex for sale in Medellin; and more than 90 percent of the sex workers in the city are drug addicted. Government officials and police appear on camera. Street scenes show scantily clad women. In some shots prostitutes with their identities concealed discuss their work and in others sex workers and customers can be seen from a distance. A spokesperson explained that "Most of the cameras were located in such places to protect the identity of interviewees and also to make sure we were getting the "real thing.’’ After November 5, 2017 the documentary should be available on the Go app. Discovery en Español.
Posted by Elena del Valle on August 7, 2017
Hilary Linden, director, Indivisible
Photo: Kudzu Films
A podcast interview with Hilary Linder, director, Indivisible (see With video – New film showcases challenges faced by Dreamers) is available in the Podcast Section of Hispanic Marketing & Public Relations, HispanicMPR.com. During the podcast, she discusses her film with Elena del Valle, host of the HispanicMPR.com podcast.
Hilary combines her knowledge in the fields of international development and humanitarian relief with her passion for nonfiction storytelling as the director and producer of Indivisible. She is the founder and president of Kudzu Films, a production company dedicated to spreading social justice through film.
Hilary monitored humanitarian emergencies for USAID’s Office of U.S. Foreign Disaster Assistance and served as a programs manager at the Clinton Bush Haiti Fund, where she managed projects aimed at promoting job growth and smart, sustainable economic development. Hilary also has established education scholarships for children in Zimbabwe and Tanzania and conducted independent HIV/AIDS research in Rwanda. Indivisible follows three undocumented immigrants as they fight for a pathway to citizenship and a chance to reunite with family members.
To listen to the interview, click on the play button below, scroll down until you see “Podcast” on the right hand side, then select “HMPR Hilary Linder” and click on the play button below or download the MP3 file to your iPod or MP3 player to listen on the go, in your car or at home from the RSS feed. Some software will not allow flash, which may be necessary for the play button and podcast player. If that is your case, you will need to download the file to play it. To download it, click on the arrow of the recording you wish to copy and save it to disk. The podcast will remain listed in the August 2017 section of the podcast archive.
Posted by Elena del Valle on July 26, 2017
Photo, video: Fuse, Kudzu Films
In February 2013, Hilary Linder began work on a project that would lead her to the making of her first film, Indivisible, in which she followed the lives of three undocumented immigrants for almost three years. The 78-minute documentary about three undocumented immigrants, screened in 25 film festivals already, will air on Fuse, a cable network, at 10 p.m. ET July 29, 2017. Scroll down to watch a trailer.
Renata, Evelyn and Antonio meet their relatives at the United States-Mexico border
"Renata, Evelyn, and Antonio were young children when their parents brought them to the U.S. in search of a better life; they were teenagers when their families were deported," Linder said by email when asked to describe the film. "Today, they are known as Dreamers. Indivisible takes place at a pivotal moment in their lives, as they fight for a pathway to citizenship and a chance to be reunited with their loved ones."
When asked about the goal of the film, she said: "I selected immigration reform as the focus of my first film because I believe it will shape the identity of the United States for generations to come and because I knew there was an incredible human story to tell. When Congress introduced a comprehensive immigration reform bill in 2013, I grew frustrated that media coverage was focusing on numbers and statistics rather than the actual people at the heart of the debate. Knowing that immigration reform is a highly politicized topic, I set out to make a film that would humanize the issue and that both undocumented and documented audiences could relate to—a film about families."
In the United States she filmed in Massachusetts, New York City, Florida, and Arizona. Overseas, she filmed in Colombia, Brazil, and Mexico.
The documentary, funded mainly by the filmmaker with $30,000 of support she fundraised online and in person, premiered at the Cinequest Film Festival in March 2016.
The most common reaction is that they had no idea that families were being separated by deportation or what it is like for families to be separated, and, now that they know, they want to do something to change our immigration system and prevent this from happening," Linder said when asked about people's reaction to the film. "Before the election, many people indicated that the film had changed their mind about who they would vote for. And today, at such a scary time for immigrants in the U.S., audiences overwhelmingly ask what they can do to help. We like to direct people to our Take Action page on our website (indivisiblefilm.com/takeaction), where they can sign petitions, receive information about contacting their Members of Congress, and sign up to host their own screening of Indivisible."
Posted by Elena del Valle on May 25, 2017
The Business of Recovery
Photos, video: The Business of Recovery
It took the filmmakers behind The Business of Recovery (thebusinessofrecovery.com/) four years to complete the 81-minute documentary targeting “The overwhelming number of people who have been affected by addiction…directly or indirectly.” In June of 2016, they released the film to the public via iTunes, Amazon and Google Play. It was recently screened at the Palm Beach Film Festival. Scroll down to watch a trailer of the film.
According to the Center for Disease Control, in 2015 some 88,000 people in the United States died of alcohol abuse and 47,000 died of a drug overdose. Every day 6,300 people seek addiction treatment at 14,000 treatment centers across the nation; and addiction treatment revenue has increased from $9 billion in 1986 to $34 billion in 2016 while drug overdose rates have tripled, according to The Business of Recovery.
Ninety percent of the centers base their treatments on Alcoholics Anonymous Twelve Steps principles despite abysmal rates of recidivism, according to the documentary. A spokesperson for the National Institute on Drug Abuse explains on camera that there is only anecdotal evidence of limited success for Alcoholics Anonymous treatment. At the same time, there are 60,000 sober living homes across the country with little or no regulation.
“Our goal in making The Business of Recovery was to demand the addiction treatment industry change the way addiction is treated in three primary areas: Better educated and medically licensed professionals in charge of addiction treatment, Regulations to protect the patient and align addiction treatment facilities with medical standards, the use of scientifically proven treatments (empirical, not evidence based),” said Greg Horvath, producer of the film, by email.
He and a close friend financed the documentary, which cost less than one million dollars to make. The producers spoke to hundreds of people, interviewed over 60 families, addiction experts, treatment providers, doctors, and scientists from across the United States.
Greg Horvath, producer, and Adam Finberg, director, The Business of Recovery at the Newport Beach Film Festival
“The toughest challenge was assembling the enormous amount of information we gathered and create a film that would help educate people that for as ‘medical’ as the addiction treatment industry sounds and acts, it lacks most if not all of the rigors of science that are applied to medical treatments,” Horvath said when asked about the greatest challenge and biggest reward of the film project. “And it is all but absent of regulations to protect the patient and align addiction treatment facilities with medical standards. The greatest reward has been the ground swell of public support the film has received, and to see some aspects of the industry slowly starting to change.”
When asked what marketing strategies they had used to promote the film he said, “Our strategy was to create public interest in the film thru film festivals and other screenings. The Business of Recovery premiered at the Newport Beach Film Festival to three sold-out audiences and has been screened across the United States (and Canada) to many other sold-out audiences at film festivals, prestigious post-secondary institutions (including Columbia University Medical School in NY, UC Irvine School of Medicine and School of Law in CA, and Spalding University, School of Professional Psychology in KY, to name a few), and many other public and private screenings. As well, it was one of only four films invited to screen at the International Drug Policy Reform Conference in Washington, DC.”
Click to buy The Business of Recovery
Posted by Elena del Valle on May 1, 2017
Filmmaker Dana Ziyasheva
Photo: Dana Ziyasheva
A podcast interview with filmmaker Dana Ziyasheva, is available in the Podcast Section of Hispanic Marketing & Public Relations, HispanicMPR.com. During the podcast, she discusses the film Defenders of Life (see With video – New film addresses underage marriage among indigenous people) with Elena del Valle, host of the HispanicMPR.com podcast.
Dana, born in Almaty, Kazakhstan, in 1972, dreamed of becoming a writer and filmmaker. But in the Soviet Union of her childhood, opportunities for a middle-class Kazakh girl from the empire’s outskirts to make a career in cinema were virtually nonexistent. Instead Dana graduated from Kazakh State University and became a television journalist in the field covering police patrols as well as natural and political disasters.
In 1994, she used her fellowship at the Central European University in Prague, Czech Republic, to foray into Western Europe. No one, not even the Kazakh government, could believe it when the United Nations Educational, Scientific and Cultural Organization in Paris offered her a position as the youngest and first-ever international civil servant from Kazakhstan. Despite initial disapproval from her own government, Dana spent the next 20 years working for the UN in Paris, Iraq, China and Costa Rica. Between missions, negotiating with governments and implementation of international conventions and UN Plans of Action, she was involved in audiovisual projects with Central China TV and China Film Group.
To listen to the interview, click on the play button below, scroll down until you see “Podcast” on the right hand side, then select “HMPR Dana Ziyasheva” and click on the play button below or download the MP3 file to your iPod or MP3 player to listen on the go, in your car or at home from the RSS feed. Some software will not allow flash, which may be necessary for the play button and podcast player. If that is your case, you will need to download the file to play it. To download it, click on the arrow of the recording you wish to copy and save it to disk. The podcast will remain listed in the April 2017 section of the podcast archive.
Posted by Elena del Valle on April 3, 2017
James E. Billie
Photo: Peter Gallagher
Video: Wrestling Alligators, Inc.
James E. Billie was born an outcast in the Florida swamps and grew from poverty to become chairman of the Seminole Tribe of Florida and the most influential man in his tribe. Some might say he is the most influential Native American leader in the past 100 years. Under his leadership the Seminole Tribe became wealthy from reservation gambling on its Florida land. Wrestling Alligators The New Seminole Wars, a 90-minute documentary completed in 2016, shines a bright light on Billie's life, showcasing via vintage news clips, photos, and interviews how he became an alligator wrestler, war veteran, poet, and important leader of the Seminole Tribe of Florida. The film was shown at the Palm Beach Film last week and should be available in digital format soon. Scroll down to watch a video clip from the documentary.
Billie controlled a giant gaming organization that owns casinos and businesses all over the world including the Hard Rock Cafes and Casinos brand. Thanks in large part to his efforts, according to the documentary, the Seminole people's lives were transformed over a 50 year span from living in small huts to being wealthy today. There are between 4,000 and 5,000 Seminoles in the tribe. As a young man Billie wrestled alligators for tourist tips. Later, he enlisted for Vietnam where he served with distinction. After the war, Billie started a chickee hut-building company and became interested in tribal politics. He was elected chairman in the late 1970s. Along the way Billie was nominated for a Grammy that launched his music career.
"We made the film to share James Billie's and the tribe's incredible story," James Eowan, producer of the film, when asked by email about the purpose of the documentary. "This is a story most people have no idea about. Most people don't know the tribe owns Hard Rock, for instance, and if they do, they have no idea how they got to that point."
In 1972, Billie started a small high stakes bingo hall in Hollywood, Florida. It was an instant hit, leading to further gaming success, court fights with the state and federal government, and to a wealth not seen until then among Native Americans. He remains a controversial figure inside and outside his tribe, even at 72, according to promotional materials for the film. The tribe kicked him out of office as chairman of the Seminole Tribe for a decade, only to reelect him in 2011.
"We were extremely fortunate in that James Billie and the Seminoles of Florida have been covered by different facets of the media quite extensively over the years," said Eowan when asked by email what percent of the documentary was from archival footage. "And the tribe also has quite an extensive archive of footage and stills. I would say a good 50 percent of the film is archival and the rest is footage we shot. But we ended up with close to 200 hours of shot footage once we were done."
The film staff started working on the documentary in December of 2012 and finished it in April of 2016 with a budget of less than one million dollars from independent sources. The producers hope to capture the attention of viewers with a passing interest in Native Americans and that "the film's quintessentially American story of a man and his people pulling themselves up from their bootstraps will appeal across all audiences."
Posted by Elena del Valle on March 27, 2017
Poster for My Hero Brother
Photo, video: My Hero Brother
My Hero Brother, a heart-warming, 78-minute Israeli film in Hebrew with English subtitles completed June 2016, will be part of the 22 Annual Palm Beach Film Festival (visit pbifilmfest.org/event-calendar) taking place beginning March 29, 2017 in Palm Beach County, Florida. Scroll down to watch a trailer.
Happy and sad at the same time, the film is uplifting and inspiring. Filmed in India with a budget of $306,000 the movie shares the story of a group of remarkable young people with Down syndrome and their siblings who trek through the Indian Himalayas together. Along their journey unresolved conflicts and the complexities of growing up with a Down syndrome child in the family surface.
The idea germinated when Enosh Cassel, later a producer in the film, felt that his busy lifestyle was taking a toll because he wasn’t spending enough time with Hannan, his beloved Down syndrome brother. According to a spokesperson, “In 2011, the two embarked on a challenging trek in the Himalayas, in order to spend some much needed quality time together.” On their return, Cassel received requests from people who wanted to set out on a similar trek with their own Down syndrome sibling. On August 2013, after two years of planning and preparation, a group of 11 sibling couples (“neuro-typical” and Down syndrome) set on a journey to the Indian Himalayas, where My Hero Brother was filmed.
“In the course of the film, I hope that the viewer will undergo an experience that will change his way of looking at the main characters: not as ill-fated people who have been given a chance to experience a brief release from suffering, but rather as human beings blessed with qualities many of us yearn to have, struggling with their limitations in an highly admirable and courageous way, with the ability to open the hearts of those around them and turn them into better human beings,” the director states on the film website.
Yonatan Nir (Dolphin Boy) directed and produced by the film, which according to promotional information became an overnight success. In the first three months of distribution the producers booked 150 educational screenings in Israel, the film was accepted to several international film festivals, and won the Best Documentary Film Award and the Audience Choice Award at the Santa Barbara International Film Festival.
The filmmakers received funding from The Shalem Fund, Gesher Multicultural Film Fund, Mifal Hapais, Avi Chai Fund, and The Second Authority. In addition to the Film festival screening future information on where to view the movie may appear at myherobrother.org
Posted by Elena del Valle on March 1, 2017
The Defenders of Life poster
Photos by Julio Costantini © 2015 Popcorn & Friends, video clips used with permission © 2015 Popcorn & Friends
In 2015, film director Dana Ziyasheva and her four person team completed Defenders of Life, a 94-minute film in three languages, Ngabere, Spanish, and English, about underage marriage among the Ngäbe people of Costa Rica. Much of the dialogue is in Ngabere or Spanish with English subtitles. It was titled after Defenders of Life, an ancient Ngäbe sacred song celebrating the tribe's respect for and symbiotic relationship with nature, ancestors and fertility. The film is available exclusively at Flix Premiere, an online video on demand service. Scroll down to watch video clips from the movie with subtitles.
Defenders of Life, a fiction film about real life issues, was born out of the real-life friendship between Carmen, a Ngäbe matriarch, and the director while she was a guest at Carmen's house. During that time they discussed Carmen's life and her hopes and fears for her daughters and granddaughters. Much of the film was shot on Ngäbe land and featuring Ngäbe.
“We both wanted to give voice to the voiceless, leaving a proud testimony of her ancient civilization under threat and show the place and challenges of women in this culture,” Ziyasheva said in a press release. “We both wanted it to be aesthetic and allegorical. Carmen's story is my story too. I was afraid to break away from my society in defiance of the decision-makers of my country. I was equally afraid to leave the comfort and security of the United Nations. It doesn't matter how good or bad a life situation is, people fear the unknown. To make audiences around the world relate to a story of an indigenous woman lost in a rainforest was my goal as film director in this project.”
Defenders of Life tells the story of Esmeralda, a Ngäbe indigenous girl who lives on a reservation in Costa Rica. Esmeralda's grandmother Carmen raises her alone because the girl's mother was murdered by her jealous boyfriend. In the movie, as in real life, when a Ngäbe girl reaches puberty, she becomes eligible for marriage, as is the custom of the tribe. When the village elder asks for her hand in marriage, Carmen must decide whether Esmeralda should follow in the footsteps of Ngäbe women or break away from the tradition and long term from the community.
During the filming of Defenders of Life
"We had a script, but since the Ngäbe actors playing their own roles were all non-professionals, most of whom don't know how to read, we relied a lot on rehearsals and improvisation. I wanted the film to go beyond the ethnographic clichés. We show that Ngäbes are multi-layered, with contradictions, and made of good things and bad things like everyone else. But most of all, they are authentic, true to themselves and they don't get intimidated by outside pressure," said Ziyasheva.
In the film, Pamela, an anthropologist from the University of Costa Rica, and her son Feb, an American tween, advocate different approaches to the dilemma of an indigenous people's society. Through his friendship with Esmeralda, Feb becomes part of tribal dynamic, while well-meaning Pamela aims to force her notion of development on the Ngäbe. Most of the filming took place in the indigenous Ngäbe community of La Casona in Southern Costa Rica, near the border with Panama, and a little bit in San Jose, the Costa Rican capital.
The film, produced by Popcorn & Friends, was recognized with award at Mostra Amazonas de Cinema, Brazil; Burbank International Film Festival, California; Viva! Latino Film Festival NYC Int'l, New York City; Madrid International Film Festival 2016; Love International Children Film Festival, California; International Film Festival for Peace, Inspiration and Equality, Indonesia; Global Independent Film Awards, online; and Depth of Field International Film Festival, online.
"To make this crazy guerilla-style project possible, I was lucky to assemble a unique international team of passionate film professionals from France, Brazil, Cuba and Costa Rica. They were all 100 percent dedicated to the idea of living and working with the Ngäbe in the rain forest in order to make this film, no matter the hardships, budget constraints or physical risks," said Igor Darbo, producer, by email via the film's publicist. "Snakes were never too far, both in the story and on set! Of course it also took time to gain the Ngabe's trust, especially the men's and after visiting the community multiple times and taking part in their festivals and assemblies, I develop a bond with Don Francisco, the elder leader who then agreed to play the old man marrying the teenage girl in the film. That bond was the mirror of Dana's relationship with Dona Carmen, the protagonist and that's what made the film possible. As a producer, I am extremely proud that Defenders of Life was able to touch the heart of people on all continents, but most of all of the enthusiastic reception it got from the Ngäbe themselves."
Ziyasheva is an award-winning author, scriptwriter and film director from Kazakhstan. She has 25 years of field experience as a journalist. As adviser for Communication and Information of the United Nations she has traveled from Iraq to China and Central America. In 2016, her debut novel Shock was published in France.
Popcorn & Friends is a boutique production company founded in March 2012 by Darbo to produce “highly creative international films that are both entertaining and meaningful.” After winning the Best Co-Production Project award at the Shanghai International Film Festival for its high-concept Chinese treasure hunt The Dragon Angel, Popcorn & Friends produced Defenders of Life.
Between 200,000 and 250,000 Ngäbe people live on both sides of the border between Panama and Costa Rica. The community in the film is about 1,500 people large in Southern Costa Rica. According to the film producers, the Ngäbe (Ngabere is their language) are torn between tradition and assimilation into the modern society. Their youth start to slowly lose command of their native idioms and follow traditions less while education in Spanish and work opportunities in the city draw them further away from their ancient roots.
Posted by Elena del Valle on February 2, 2017
I Am Not a Number
Photos: Second Story Press
Jenny Kay Dupuis, Ed.D.'s interest in her family’s past and her commitment to teaching about Indigenous issues through literature drew her to co-write her first children’s book. It took her and Kathy Kacer three years to write I Am Not a Number (Second Story Press, $18.95), the true and personal story of Irene Couchie Dupuis, her grandmother, who was taken from her Nipissing First Nation’s family and community at a young age to live in a residential school in the late 1920s in Canada. They wrote the easy to read lovingly illustrated book for school-age children (ages seven and up) to learn about the legacy of the Indian Residential School System (known as boarding schools in the United States). According to the author, it has also appealed to “educators (Grades 2-12), librarians, families, and community organizations interested in reading stories about true history, and supporting children and youth to develop critical literacy skills to engage in important, meaningful discussions about the injustices that have and are currently occurring to Indigenous peoples.” In it, they share her grandmother's story, including the hardships and verbal and corporal punishment she and other children endured at the hands of the nuns and within the system.
“When I was growing up, we didn’t talk much about the history and injustices in school programming,” Dupuis said by email when asked about the Nipissing First Nation. “I learned about my culture and community values, like having respect for myself and others, while working a part-time job (as a youth) at a local restaurant called the Teepee Café owned by Dot Beaucage-Kennedy. It was a place where everyone gathered, including storytellers, Elders/knowledge keepers, grandmothers/grandfathers, artists (traditional/contemporary), language speakers, and families. Times have changed. We are now seeing these opportunities expand into the school systems. I’m really proud of the opportunities that are emerging, especially for children and youth, that place an emphasis on historical/contemporary realities, culture, traditions, and values, including efforts to revitalize the Ojibwe language and culture.”
The 32-page hardcover book was published in 2016. Color illustrated by Gillian Newland the book also includes several black and white family photos. The people who were involved in the abuse were never punished, nor did they apologize for the wrongdoings in her granny’s case, Dupuis explained.
Jenny Kay Dupuis, Ed.D., co-author, I Am Not a Number
When asked why she wrote the book Dupuis replied, “Listening to the stories of my family and community history led me to write I Am Not a Number. My granny shared with me her story at a time when I felt that she wanted to share her truth. I held onto her story for years, waiting for the right time to share it. While I was working in the field of Indigenous education, I found there weren’t any children’s picture books that focused on the Residential School System through the lens of an Indigenous family. So I wanted to reach out to young people through storytelling and literature to ensure they hear true stories about the legacy of forced assimilation; where Indigenous children were taken from their families/home communities and sent to residential schools.
In addition, I also wanted to use literature as a means to encourage educators, families, and community groups to begin to facilitate deep conversations, with young people and each other, about the legislation and policies that have impacted (and still impact) Indigenous peoples. I’m really pleased at the response. So far, educators, community groups, and families have been in contact via social media sharing how they have used the book since its release. For instance, Luke Bramer, a performing arts teacher used the book to inspire his junior level/ freshman high school students to learn about the residential school system and create a puppet theatre performance, using breathing puppets to retell my granny’s story. Other teachers have been using activities like ‘role on the wall’ to introduce the topic of residential schools and begin to discuss topics like genocide, the impacts of colonialism, oppression, assimilation, etc. Families have read the book with their young children, going through a 'picture walk' to stimulate interest. Additionally, community organizations, like in Hamilton ON (Canada), are in the midst of hosting (grassroots-led) book launches and readings that also feature youth artwork and other learning inspired by the book I Am Not a Number.”
Kathy Kacer, co-author, I Am Not a Number
The Nipissing First Nation lives on the shores of Lake Nipissing in Northern Ontario, Canada. There is a registered band membership of approximately 2,500 persons with about 1,000 residing on reserve. Dupuis is of Anishinaabe and Ojibway ancestry and a member of Nipissing First Nation. The Toronto resident is an educator, researcher, artist, and speaker who works full-time supporting the advancement of Indigenous education.
Kacer is known for her children’s books about the Holocaust, including The Secret of Gabi’s Dresser and The Magician of Auschwitz. A former psychologist, she now travels the globe speaking to children and adults about her books. Newland works in watercolor, ink, and pencils. She finds most of her inspiration to draw outside of her studio, and can sometimes be found sketching fellow customers at a coffee shop. She is the illustrator of The Magician of Auschwitz among other books. All three women live in Toronto.
Click to buy I Am Not a Number
Posted by Elena del Valle on January 9, 2017
Eliza Kubarska, filmmaker, Walking Under Water
Photo: David Kaszlikowski/Vertical Vision Film Studio
A podcast interview with filmmaker Eliza Kubarska is available in the Podcast Section of Hispanic Marketing & Public Relations, HispanicMPR.com. During the podcast, she discusses her film Walking on Water about the Badjao people in Borneo (available on the World Channel website:http://worldchannel.org/programs/episode/dw-s1-111-walking-under-water/) with Elena del Valle, host of the HispanicMPR.com podcast.
Eliza, a Polish alpinist and traveler, specializes in adventure film making and extreme location work. In 2007, she set up her own film company Vertical Vision Film Studio, where she produced her first multi-awarded feature documentary, What Happened on Pam Island, also known as Mountain Love Story. In 2014, Walking Under Water, her next documentary was awarded Hot Docs Jury Prize and John Schlesinger Award at Palm Springs Film Festival.
In her newest film K2 - Touching the Sky, Eliza, together with an international group of grown-up children of acclaimed mountain climbers, sets out on an expedition to reach K2 base camp, the burial place for those who lost their lives on K2 in the summer of 1986.
To listen to the interview, scroll down until you see “Podcast” on the right hand side, then select “HMPR Eliza Kubarska” and click on the play button below or download the MP3 file to your iPod or MP3 player to listen on the go, in your car or at home from the RSS feed. Some software will not allow flash, which may be necessary for the play button and podcast player. If that is your case, you will need to download the file to play it. To download it, click on the arrow of the recording you wish to copy and save it to disk. The podcast will remain listed in the January 2017 section of the podcast archive.